fixt-music

By Leasia Korbel

HIGHSOCIETY has announced his album DATAMOSH is now available across all platforms from FiXT.

Prepare for a sonic onslaught like no other as HIGHSOCIETY’s highly anticipated new album, DATAMOSH, smashes through genre conventions with a ferocity of a rampaging sonic juggernaut. Merging the worlds of alternative metal, hard rock, and industrial with EDM, DATAMOSH is a relentless exhibition of raw energy, thunderous rhythms, and cutting-edge production. 

One of the hallmarks of DATAMOSH is its jaw-dropping roster of collaborations featuring appearances from Micah Martin, ENMY, BVLVNCE, Craig Mabbit (of Escape The Fate), Daedric, Young Medicine, The Anix, Coping Method, Becko, and Protect Your Heart. Each brings their own unique edge to the table amplifying the intensity of every track. With singles like “OBSOLETE” with Coping Method, a brutal metalcore-dubstep crossover that defies convention; “Voices” featuring Micah Martin, a blistering anthem born from an electrifying one-day creative sprint; and “Dead By Dawn” with Daedric, where soaring cinematic grandeur meets punishing breakdowns. And these are just the tip of the iceberg. 

At the heart of the album is the concept of “DATAMOSH” — a sonic philosophy that sees HIGHSOCIETY blurring the lines between genres, bending them to his will. It’s a fusion of cybernetic precision and primal human emotion layered over sound. The result? A completely original multifaceted album that’s as unpredictable as it is unforgettable. From dubstep bangers to metal anthems, HIGHSOCIETY’s sonic palette knows no limits.

Releasing with the album is an epic collaboration between metalcore rising stars ENMY and rocktronic trailblazer HIGHSOCIETY. “All For Nothing” is a genre-bending powerhouse, melding heavy guitars, explosive breakdowns, and razor-sharp dubstep synths. Anthemic vocals and nu-metal grooves meet hard-hitting dubstep grit, creating the ultimate fusion of hard rock and electronic energy.

In his own words HIGHSOCIETY explains, “This track couldn’t be a better fit to drop alongside my debut album! My boys in ENMY brought their signature high-energy metalcore punch to match the aggressive, confronting tone of the song. The nonstop intensity and in-your-face vibes capture the DATAMOSH spirit perfectly.”

The ascending bass music talent that is known as HIGHSOCIETY has been on a rapid rise as of late, thanks to his addictive blend of stadium-crushing future bass, metallurgic dubstep, and blazing trap. With a seemingly endless torrent of releases across standout labels from FiXT, Barong Family, and Universal Music, to Red Bull Records and Lowly Palace/Trap Nation, HIGHSOCIETY has firmly established himself as one of the most exciting new acts in electronic music. 

In the past HIGHSOCIETY worked with respected labels such as Dim Mak, Red Bull Records,  Island Records, Lowly Palace, Welcome Records, Barong Family,  Universal, and now FiXT. He’s also worked with many high-profile artists including Craig Mabbit of Escape The Fate, AWOLNATION, Attack Attack!, Celldweller, Teddy Killerz, The Anix, Big Shaq, Reid Speed, Palisades, Jade, and Le Castle Vania as well as earned sync placements with HBO, MTV, MTV2, ABC Family, Freeform, and Oxygen. He’s performed live with Steve Aoki, Knife Party, Kill The Noise, Slushii, Modestep, GTA, and Elohim at many live festivals including but not limited to Live 105 BFD Festival, Bottlerock Festival, Amsterdam Dance Event, and many headline shows across the US. 

By Leasia Korbel

Izzy Reign has released her self-titled debut album Izzy Reign from FiXT. 

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

Each track, an artistic blending of metalcore, alternative metal, and hard rock, stands as a testament to her ability to seamlessly merge brutal instrumentals with atmospheric elements, making this album a must-listen for fans of innovative rock and metal. From “Your Entertainer” a concept track tackling the mental toll of fame to “Into Oblivion” inspired by the Egyptian goddess Ammit, this alternative pop-metal track delves into Izzy’s personal struggles with religious-induced OCD and intrusive thoughts. “Pandora’s Box” is a dichotic experience of chaos and introspection drifting between sensual to brutal. “The Sunken Place” is inspired from the psychological horror movie Get out, exploring manipulation and survival instincts through a raging soundscape. The electrifying album manages to capture the essence of various genres while smashing through each and ultimately bending them to her will. No subject is too small, no corner of humanity too dark. Izzy Reign is a deep dive into not just her own struggles but humanity’s as well.

Releasing with the album is “Bird of Prey” which premiered yesterday at Revolver Mag. The song captures the perspective of an antihero, someone who doesn’t shy away from confronting harmful people head-on. With a cynical yet powerful tone, the track explores the concept of necessary evils, where the protagonist serves as the consequence for others’ harmful actions. Reign emphasizes the importance of standing up for the voiceless and holding others accountable, delivering a taunting message that there is no escape from the paths people choose.

“‘Bird Of Prey’ was written from the viewpoint of the villain’s Villain. The not quite a hero but more of an anti hero. I grew up with the standard of a zero tolerance for crappy people. That if I saw someone causing harm, I would cause said person double the amount. I made it clear that I would never be the cause, but always the result. Is it the best way to go about things? Probably not, but sometimes, a necessary evil is a good thing. Really wanted to portray a powerful yet semi cynical vibe in this song. A more taunting feeling of saying, there’s no escape. That you chose this path, now here are the consequences. I encourage people to always stand up for those who do not have a voice of their own and hold them accountable. Always have and always will. Sometimes, the right thing to do, IS to make it your problem.” – Izzy Reign

Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old. 

Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.

In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her self-titled debut album with FiXT on March 21, 2025. 

By Leasia Korbel

The Plague has released his latest album The Divided States Of Hysteria now available across all platforms from FiXT.

The Divided States Of Hysteria is a sonic manifesto diving into themes of addiction, identity, societal pressures, self-reflection, and the complex duality of human nature. Synths, guitars, bass, and drums collide to create an intense sonic palette that mirrors the album’s themes of internal and external chaos. The Plague combines raw and vulnerable lyrics, with complex soundscapes showcasing his unparalleled ability to blend emotive lyrics with powerful instrumentation. The album captures The Plague’s signature blend of rock, hard rock, and alternative influences, delivering tracks that are as energetic as they are thought-provoking. From powerful synths to driving guitars and thunderous drums, the instrumentation provides a dynamic backdrop for lyrics that tackle deeply personal and universal themes.

Featuring singles like “Man Machine or Beast” that challenges the impact of technology on our relationships, while “Predator” confronts humanity’s darker instincts. “Float Right On By” is a poignant reflection on selfishness and the search for redemption and “Clean Slate” is a heartfelt anthem of renewal and forgiveness. While “Right Back Down” is a firestorm featuring thrashing guitars, brutal vocals, as an intense exploration of a relationship that ends without warning. The Divided States Of Hysteria is a deep and honest exploration of the human condition. 

Releasing with the album is “Say What You Want To Say” which premiered yesterday at Revolver Mag. In The Plague’s own words, “I spend a ton of time in the studio, and its VERY easy to get critical voices coming in and criticizing me. I started to ask myself where do these voice come from and tell them to f off! I started to realize that a lot of hater say the same things as the voices in my head which really leads me to believe its a universal spiritual attack. This song is flipping the bird to that whole attitude. The lyric “I can’t put the beat to the music” was originally intended as a place holder but it grew on me. I thought it was kind of cool to leave a lyric that was a reference lyric in a song where the spirit is just go for it and don’t think to much. It was funny because “beat to the music” is not a title i want for obvious reasons, so then the nest hook line was “say my name” also had the same problems lol. We went with ‘Say What You Want To Say,’ that passes the sexual innuendo test.”

By Leasia Korbel

HIGHSOCIETY has announced his upcoming album DATAMOSH is available to pre-order from FiXT. The album drops March 28, 2024. 

Prepare for a sonic onslaught like no other as HIGHSOCIETY’s highly anticipated new album, DATAMOSH, smashes through genre conventions with a ferocity of a rampaging sonic juggernaut. Merging the worlds of alternative metal, hard rock, and industrial with EDM, DATAMOSH is a relentless exhibition of raw energy, thunderous rhythms, and cutting-edge production. 

One of the hallmarks of DATAMOSH is its jaw-dropping roster of collaborations featuring appearances from Micah Martin, ENMY, BVLVNCE, Craig Mabbit (of Escape The Fate), Daedric, Young Medicine, The Anix, Coping Method, Becko, and Protect Your Heart. Each brings their own unique edge to the table amplifying the intensity of every track. With singles like “OBSOLETE” with Coping Method, a brutal metalcore-dubstep crossover that defies convention; “Voices” featuring Micah Martin, a blistering anthem born from an electrifying one-day creative sprint; and “Dead By Dawn” with Daedric, where soaring cinematic grandeur meets punishing breakdowns. And these are just the tip of the iceberg. 

At the heart of the album is the concept of “DATAMOSH” — a sonic philosophy that sees HIGHSOCIETY blurring the lines between genres, bending them to his will. It’s a fusion of cybernetic precision and primal human emotion layered over sound. The result? A completely original multifaceted album that’s as unpredictable as it is unforgettable. From dubstep bangers to metal anthems, HIGHSOCIETY’s sonic palette knows no limits.

Dropping with the pre-order announcement is “HARM” (feat. The Anix) which premiered yesterday at Outburn. The single brings together the powerhouse rocktronic styles of HIGHSOCIETY and The Anix, combining jagged synths, crushing metal guitars, and intricate breakbeats. Known for their mastery in merging aggressive rock with dynamic electronic elements, the duo create a powerful, melancholic anthem that’s both haunting and hard-hitting. 

In his own words HIGHSOCIETY explains,“Working with The Anix on this track is a real full-circle moment for me. I actually found FiXT through his music (I thought it was his label at first). Out of all the amazing collaborators on this album, The Anix is the one I look up to the most. His project has been a huge inspiration, both sonically and visually. This track gave me the chance to explore a more melodic, atmospheric side of my sound to match his vocals, which was a lot of fun. I’m so glad we got to add a ‘slow-motion in the rain’ moment to the album to balance out all the heavier tracks.”

The ascending bass music talent that is known as HIGHSOCIETY has been on a rapid rise as of late, thanks to his addictive blend of stadium-crushing future bass, metallurgic dubstep, and blazing trap. With a seemingly endless torrent of releases across standout labels from FiXT, Barong Family, and Universal Music, to Red Bull Records and Lowly Palace/Trap Nation, HIGHSOCIETY has firmly established himself as one of the most exciting new acts in electronic music. 

In the past HIGHSOCIETY worked with respected labels such as Dim Mak, Red Bull Records,  Island Records, Lowly Palace, Welcome Records, Barong Family,  Universal, and now FiXT. He’s also worked with many high-profile artists including Craig Mabbit of Escape The Fate, AWOLNATION, Attack Attack!, Celldweller, Teddy Killerz, The Anix, Big Shaq, Reid Speed, Palisades, Jade, and Le Castle Vania as well as earned sync placements with HBO, MTV, MTV2, ABC Family, Freeform, and Oxygen. He’s performed live with Steve Aoki, Knife Party, Kill The Noise, Slushii, Modestep, GTA, and Elohim at many live festivals including but not limited to Live 105 BFD Festival, Bottlerock Festival, Amsterdam Dance Event, and many headline shows across the US. 

By Leasia Korbel

Izzy Reign has announced her self-titled debut album Izzy Reign is available for pre-order and will be out on March 21, 2025 from FiXT. 

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

Each track, an artistic blending of metalcore, alternative metal, and hard rock, stands as a testament to her ability to seamlessly merge brutal instrumentals with atmospheric elements, making this album a must-listen for fans of innovative rock and metal. From “Your Entertainer” a concept track tackling the mental toll of fame to “Into Oblivion” inspired by the Egyptian goddess Ammit, this alternative pop-metal track delves into Izzy’s personal struggles with religious-induced OCD and intrusive thoughts. “Pandora’s Box” is a dichotic experience of chaos and introspection drifting between sensual to brutal. “The Sunken Place” is inspired from the psychological horror movie Get out, exploring manipulation and survival instincts through a raging soundscape. The electrifying album manages to capture the essence of various genres while smashing through each and ultimately bending them to her will. No subject is too small, no corner of humanity too dark. Izzy Reign is a deep dive into not just her own struggles but humanity’s as well.

Releasing with the pre-order, Izzy Reign’s new single “Phobos” delves deep into the unsettling world of panic attacks, drawing from personal experience to convey the overwhelming and unpredictable nature of these episodes. With raw emotion and vivid descriptions, the song captures the sensation of air thinning, heartbeats overpowering, and the inevitability of panic despite any attempts at control. Through “Phobos,” Reign seeks to resonate with those who have faced similar battles, whether through the struggle to resist the attacks or the resigned acceptance of their recurrence, creating a visceral sonic journey of anxiety and resilience.

This song is about the experiences of having panic attacks. A true understanding of how the feel and how at complete random they can occur.

In her own words, “I spent many years of my life undergoing random panic attacks, which felt like, for no reason at all, but upon learning and understanding how much the subconscious stress levels of your brain truly affect the physical responses of your body, it seemed to make more sense. I struggled with this for a long time and as many people have experienced them selves, it can take a major toll on ones every day life. How ever, I wrote this song in regards to this becoming my norm, and when I felt the coming on, I just had to take them steps to prepare and let them pass. The inevitable would happen, regardless of how in control I felt or how much I changed my situations/surroundings. I wanted to give the feeling of what a panic attack felt like to people who have gone through the many different stages of them. Whether or not they let it consume them, the sensation of the air around them thinning, or your heart beat being the only thing you can hear, or the other side of acceptance, almost, in a way, being annoyed that you have to sit down and ground yourself to prepare for what you’re already used to.”

– Izzy Reign

Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old. 

Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.

In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her self-titled debut album with FiXT on March 21, 2025.