electronic-rock

HIGHSOCIETY Releases Long Awaited DATAMOSH Album

By Leasia Korbel

HIGHSOCIETY has announced his album DATAMOSH is now available across all platforms from FiXT.

Prepare for a sonic onslaught like no other as HIGHSOCIETY’s highly anticipated new album, DATAMOSH, smashes through genre conventions with a ferocity of a rampaging sonic juggernaut. Merging the worlds of alternative metal, hard rock, and industrial with EDM, DATAMOSH is a relentless exhibition of raw energy, thunderous rhythms, and cutting-edge production. 

One of the hallmarks of DATAMOSH is its jaw-dropping roster of collaborations featuring appearances from Micah Martin, ENMY, BVLVNCE, Craig Mabbit (of Escape The Fate), Daedric, Young Medicine, The Anix, Coping Method, Becko, and Protect Your Heart. Each brings their own unique edge to the table amplifying the intensity of every track. With singles like “OBSOLETE” with Coping Method, a brutal metalcore-dubstep crossover that defies convention; “Voices” featuring Micah Martin, a blistering anthem born from an electrifying one-day creative sprint; and “Dead By Dawn” with Daedric, where soaring cinematic grandeur meets punishing breakdowns. And these are just the tip of the iceberg. 

At the heart of the album is the concept of “DATAMOSH” — a sonic philosophy that sees HIGHSOCIETY blurring the lines between genres, bending them to his will. It’s a fusion of cybernetic precision and primal human emotion layered over sound. The result? A completely original multifaceted album that’s as unpredictable as it is unforgettable. From dubstep bangers to metal anthems, HIGHSOCIETY’s sonic palette knows no limits.

Releasing with the album is an epic collaboration between metalcore rising stars ENMY and rocktronic trailblazer HIGHSOCIETY. “All For Nothing” is a genre-bending powerhouse, melding heavy guitars, explosive breakdowns, and razor-sharp dubstep synths. Anthemic vocals and nu-metal grooves meet hard-hitting dubstep grit, creating the ultimate fusion of hard rock and electronic energy.

In his own words HIGHSOCIETY explains, “This track couldn’t be a better fit to drop alongside my debut album! My boys in ENMY brought their signature high-energy metalcore punch to match the aggressive, confronting tone of the song. The nonstop intensity and in-your-face vibes capture the DATAMOSH spirit perfectly.”

The ascending bass music talent that is known as HIGHSOCIETY has been on a rapid rise as of late, thanks to his addictive blend of stadium-crushing future bass, metallurgic dubstep, and blazing trap. With a seemingly endless torrent of releases across standout labels from FiXT, Barong Family, and Universal Music, to Red Bull Records and Lowly Palace/Trap Nation, HIGHSOCIETY has firmly established himself as one of the most exciting new acts in electronic music. 

In the past HIGHSOCIETY worked with respected labels such as Dim Mak, Red Bull Records,  Island Records, Lowly Palace, Welcome Records, Barong Family,  Universal, and now FiXT. He’s also worked with many high-profile artists including Craig Mabbit of Escape The Fate, AWOLNATION, Attack Attack!, Celldweller, Teddy Killerz, The Anix, Big Shaq, Reid Speed, Palisades, Jade, and Le Castle Vania as well as earned sync placements with HBO, MTV, MTV2, ABC Family, Freeform, and Oxygen. He’s performed live with Steve Aoki, Knife Party, Kill The Noise, Slushii, Modestep, GTA, and Elohim at many live festivals including but not limited to Live 105 BFD Festival, Bottlerock Festival, Amsterdam Dance Event, and many headline shows across the US. 

Izzy Reign Releases Her Self-Titled Debut Album

By Leasia Korbel

Izzy Reign has released her self-titled debut album Izzy Reign from FiXT. 

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

Each track, an artistic blending of metalcore, alternative metal, and hard rock, stands as a testament to her ability to seamlessly merge brutal instrumentals with atmospheric elements, making this album a must-listen for fans of innovative rock and metal. From “Your Entertainer” a concept track tackling the mental toll of fame to “Into Oblivion” inspired by the Egyptian goddess Ammit, this alternative pop-metal track delves into Izzy’s personal struggles with religious-induced OCD and intrusive thoughts. “Pandora’s Box” is a dichotic experience of chaos and introspection drifting between sensual to brutal. “The Sunken Place” is inspired from the psychological horror movie Get out, exploring manipulation and survival instincts through a raging soundscape. The electrifying album manages to capture the essence of various genres while smashing through each and ultimately bending them to her will. No subject is too small, no corner of humanity too dark. Izzy Reign is a deep dive into not just her own struggles but humanity’s as well.

Releasing with the album is “Bird of Prey” which premiered yesterday at Revolver Mag. The song captures the perspective of an antihero, someone who doesn’t shy away from confronting harmful people head-on. With a cynical yet powerful tone, the track explores the concept of necessary evils, where the protagonist serves as the consequence for others’ harmful actions. Reign emphasizes the importance of standing up for the voiceless and holding others accountable, delivering a taunting message that there is no escape from the paths people choose.

https://www.youtube.com/watch?v=Iu03-a3x-ds

Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old. 

Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.

In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her self-titled debut album with FiXT on March 21, 2025. 

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The Plague Releases New Album The Divided States Of Hysteria

By Leasia Korbel

The Plague has released his latest album The Divided States Of Hysteria now available across all platforms from FiXT.

The Divided States Of Hysteria is a sonic manifesto diving into themes of addiction, identity, societal pressures, self-reflection, and the complex duality of human nature. Synths, guitars, bass, and drums collide to create an intense sonic palette that mirrors the album’s themes of internal and external chaos. The Plague combines raw and vulnerable lyrics, with complex soundscapes showcasing his unparalleled ability to blend emotive lyrics with powerful instrumentation. The album captures The Plague’s signature blend of rock, hard rock, and alternative influences, delivering tracks that are as energetic as they are thought-provoking. From powerful synths to driving guitars and thunderous drums, the instrumentation provides a dynamic backdrop for lyrics that tackle deeply personal and universal themes.

Featuring singles like “Man Machine or Beast” that challenges the impact of technology on our relationships, while “Predator” confronts humanity’s darker instincts. “Float Right On By” is a poignant reflection on selfishness and the search for redemption and “Clean Slate” is a heartfelt anthem of renewal and forgiveness. While “Right Back Down” is a firestorm featuring thrashing guitars, brutal vocals, as an intense exploration of a relationship that ends without warning. The Divided States Of Hysteria is a deep and honest exploration of the human condition. 

Releasing with the album is “Say What You Want To Say” which premiered yesterday at Revolver Mag. In The Plague’s own words, “I spend a ton of time in the studio, and its VERY easy to get critical voices coming in and criticizing me. I started to ask myself where do these voice come from and tell them to f off! I started to realize that a lot of hater say the same things as the voices in my head which really leads me to believe its a universal spiritual attack. This song is flipping the bird to that whole attitude. The lyric “I can’t put the beat to the music” was originally intended as a place holder but it grew on me. I thought it was kind of cool to leave a lyric that was a reference lyric in a song where the spirit is just go for it and don’t think to much. It was funny because “beat to the music” is not a title i want for obvious reasons, so then the nest hook line was “say my name” also had the same problems lol. We went with ‘Say What You Want To Say,’ that passes the sexual innuendo test.”

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HIGHSOCIETY Announces New Album DATAMOSH Available To Pre-Order Releases “Harm” (feat. The Anix)

By Leasia Korbel

HIGHSOCIETY has announced his upcoming album DATAMOSH is available to pre-order from FiXT. The album drops March 28, 2024. 

Prepare for a sonic onslaught like no other as HIGHSOCIETY’s highly anticipated new album, DATAMOSH, smashes through genre conventions with a ferocity of a rampaging sonic juggernaut. Merging the worlds of alternative metal, hard rock, and industrial with EDM, DATAMOSH is a relentless exhibition of raw energy, thunderous rhythms, and cutting-edge production. 

One of the hallmarks of DATAMOSH is its jaw-dropping roster of collaborations featuring appearances from Micah Martin, ENMY, BVLVNCE, Craig Mabbit (of Escape The Fate), Daedric, Young Medicine, The Anix, Coping Method, Becko, and Protect Your Heart. Each brings their own unique edge to the table amplifying the intensity of every track. With singles like “OBSOLETE” with Coping Method, a brutal metalcore-dubstep crossover that defies convention; “Voices” featuring Micah Martin, a blistering anthem born from an electrifying one-day creative sprint; and “Dead By Dawn” with Daedric, where soaring cinematic grandeur meets punishing breakdowns. And these are just the tip of the iceberg. 

At the heart of the album is the concept of “DATAMOSH” — a sonic philosophy that sees HIGHSOCIETY blurring the lines between genres, bending them to his will. It’s a fusion of cybernetic precision and primal human emotion layered over sound. The result? A completely original multifaceted album that’s as unpredictable as it is unforgettable. From dubstep bangers to metal anthems, HIGHSOCIETY’s sonic palette knows no limits.

Dropping with the pre-order announcement is “HARM” (feat. The Anix) which premiered yesterday at Outburn. The single brings together the powerhouse rocktronic styles of HIGHSOCIETY and The Anix, combining jagged synths, crushing metal guitars, and intricate breakbeats. Known for their mastery in merging aggressive rock with dynamic electronic elements, the duo create a powerful, melancholic anthem that’s both haunting and hard-hitting. 

In his own words HIGHSOCIETY explains,“Working with The Anix on this track is a real full-circle moment for me. I actually found FiXT through his music (I thought it was his label at first). Out of all the amazing collaborators on this album, The Anix is the one I look up to the most. His project has been a huge inspiration, both sonically and visually. This track gave me the chance to explore a more melodic, atmospheric side of my sound to match his vocals, which was a lot of fun. I’m so glad we got to add a ‘slow-motion in the rain’ moment to the album to balance out all the heavier tracks.”

The ascending bass music talent that is known as HIGHSOCIETY has been on a rapid rise as of late, thanks to his addictive blend of stadium-crushing future bass, metallurgic dubstep, and blazing trap. With a seemingly endless torrent of releases across standout labels from FiXT, Barong Family, and Universal Music, to Red Bull Records and Lowly Palace/Trap Nation, HIGHSOCIETY has firmly established himself as one of the most exciting new acts in electronic music. 

In the past HIGHSOCIETY worked with respected labels such as Dim Mak, Red Bull Records,  Island Records, Lowly Palace, Welcome Records, Barong Family,  Universal, and now FiXT. He’s also worked with many high-profile artists including Craig Mabbit of Escape The Fate, AWOLNATION, Attack Attack!, Celldweller, Teddy Killerz, The Anix, Big Shaq, Reid Speed, Palisades, Jade, and Le Castle Vania as well as earned sync placements with HBO, MTV, MTV2, ABC Family, Freeform, and Oxygen. He’s performed live with Steve Aoki, Knife Party, Kill The Noise, Slushii, Modestep, GTA, and Elohim at many live festivals including but not limited to Live 105 BFD Festival, Bottlerock Festival, Amsterdam Dance Event, and many headline shows across the US. 

Izzy Reign Announces Her Self-Titled Debut Album Out March 21st

By Leasia Korbel

Izzy Reign has announced her self-titled debut album Izzy Reign is available for pre-order and will be out on March 21, 2025 from FiXT. 

Emerging from the shadows and into the spotlight, Izzy Reign has crafted an electrifying collection of tracks that push boundaries into a compelling and emotionally charged sonic experience. This debut record is a culmination of Izzy’s raw power and genre-defying artistry, reflecting personal struggles, societal critiques, and a hauntingly raw beautiful dive into the human psyche. Boundaries will be crossed, genres will be pushed, crushed, and turned inside out. All hail the Queen.

Each track, an artistic blending of metalcore, alternative metal, and hard rock, stands as a testament to her ability to seamlessly merge brutal instrumentals with atmospheric elements, making this album a must-listen for fans of innovative rock and metal. From “Your Entertainer” a concept track tackling the mental toll of fame to “Into Oblivion” inspired by the Egyptian goddess Ammit, this alternative pop-metal track delves into Izzy’s personal struggles with religious-induced OCD and intrusive thoughts. “Pandora’s Box” is a dichotic experience of chaos and introspection drifting between sensual to brutal. “The Sunken Place” is inspired from the psychological horror movie Get out, exploring manipulation and survival instincts through a raging soundscape. The electrifying album manages to capture the essence of various genres while smashing through each and ultimately bending them to her will. No subject is too small, no corner of humanity too dark. Izzy Reign is a deep dive into not just her own struggles but humanity’s as well.

Releasing with the pre-order, Izzy Reign’s new single “Phobos” delves deep into the unsettling world of panic attacks, drawing from personal experience to convey the overwhelming and unpredictable nature of these episodes. With raw emotion and vivid descriptions, the song captures the sensation of air thinning, heartbeats overpowering, and the inevitability of panic despite any attempts at control. Through “Phobos,” Reign seeks to resonate with those who have faced similar battles, whether through the struggle to resist the attacks or the resigned acceptance of their recurrence, creating a visceral sonic journey of anxiety and resilience.

This song is about the experiences of having panic attacks. A true understanding of how the feel and how at complete random they can occur.

https://youtu.be/3pZbMK_n18k

Bold. Eclectic. Rebellious. Izzy Reign thrives on originality and thinking outside the box. Her music is nothing short of a reflection of this. She grew up singing to Alanis Morissette, Jewel, and Madonna. Inspired by Enter Shikari’s music video “Sorry You Are Not A Winner” and the musical stylings of Imogen Heap, Izzy took the plunge into the industry and played her first live show when she was 15 years old. 

Since then she’s taken a deeper dive into production, songwriting and performing, working with a variety of artists that come through the production house she shares with producers Jon Eberhard (I Prevail, Skillet, Sleeping With Sirens) and Nick Matzkows (Wind Walkers, Until I Wake, ENMY, Attack! Attack!). Over the past four years she has released a myriad of covers, originals and music videos on her YouTube channel racking up millions of views. She has received notable attention for her popular The Nightmare Before Christmas cover of “This Is Halloween”, which has over 10 million streams across Spotify and YouTube along with 73,200 videos using the sound on TikTok.

In 2023 Izzy came to the attention of the US-based record label FiXT, through the discovery of her independent release, “Broken By Design”, which showcased a new edge to Izzy’s sound. Signing on for a multi-album deal, Izzy Reign is now set to release her self-titled debut album with FiXT on March 21, 2025. 

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The Plague Announces New Album The Divided States Of Hysteria Available For Pre-Order

+ New Single “Ugly On The Inside”

By Leasia Korbel

The Plague has announced his upcoming album The Divided States Of Hysteria is now available for pre-order from FiXT. The full album releases on February 28, 2025.

The Divided States Of Hysteria is a sonic manifesto diving into themes of addiction, identity, societal pressures, self-reflection, and the complex duality of human nature. Synths, guitars, bass, and drums collide to create an intense sonic palette that mirrors the album’s themes of internal and external chaos. The Plague combines raw and vulnerable lyrics, with complex soundscapes showcasing his unparalleled ability to blend emotive lyrics with powerful instrumentation. The album captures The Plague’s signature blend of rock, hard rock, and alternative influences, delivering tracks that are as energetic as they are thought-provoking. From powerful synths to driving guitars and thunderous drums, the instrumentation provides a dynamic backdrop for lyrics that tackle deeply personal and universal themes.

Featuring singles like “Man Machine or Beast” that challenges the impact of technology on our relationships, while “Predator” confronts humanity’s darker instincts. “Float Right On By” is a poignant reflection on selfishness and the search for redemption and “Clean Slate” is a heartfelt anthem of renewal and forgiveness. While “Right Back Down” is a firestorm featuring thrashing guitars, brutal vocals, as an intense exploration of a relationship that ends without warning. The Divided States Of Hysteria is a deep and honest exploration of the human condition. 

https://youtu.be/LafJUMA7QaA

Releasing with the pre-order announcement is the new single “Ugly on the Inside.” The track dives into the destructive nature of narcissism, self-reflection, and the world’s betrayal of God. Originally a pop-punk demo, it was reimagined as “modern dungeon pop-punk,” becoming one of The Plague’s creepiest and most impactful songs to date. 

The Plague explains further, “This song I wrote about a famous narcissist I knew/know, and about how destructive his ego was to everyone around him. But after a bit I realized that I could see similar aspects in myself. I changed the song from pointing a finger at him to pointing a finger at myself and then eventually made it about the worlds betrayal of God. The demo was very pop punk and I wanted to make it newer. I looked at the lyrics and thought “I want to make this song modern dungeon pop punk!” After an overhaul, the song was way creepier and might be one of my favorite “The Plague” songs.”

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Quantum Theory: An Interview With Soul Extract

By Leasia Korbel

Hey Josh, thanks for taking the time. I’ve been a fan since I first heard “Decryption,” (it remains an all time favorite of mine). I see in the notes you talk about “subconsciously” noticing someone from across the room, i.e. “Quantum Entanglement.” Quantum entanglement suggests that two particles can be connected across vast distances. Do you feel a similar connection with your audience when they view your art? How do you think your work influences or “entangles” with their perception of reality?

I absolutely would love for the ideas and imagery to connect with anyone who is truly “listening” and become entangled with the realization that we are all connected in a way that cant be seen, but most definitely can be felt.  There are many scientific experiments underway at the Institute of Noetic Sciences testing these types of experiences.  My hope is that science will progress into the field of consciousness and I guarantee humanity will be forever changed when that day comes.

Quantum physics isn’t a typical influence in music. How did you first get inspired by quantum theory, and how does it shape your sound?

As a kid, I always was interested in how things worked.  I took apart phones, clocks, and even my NES.  The cartridges never did go in the same after that!

This fascination led me to write my own music as well as a career in I.T.  Sadly, I didn’t really have an appreciation for quantum mechanics until later in life, but it has definitely created a new way of looking at the world and I draw very much inspiration from this new lens.

Quantum physics challenges traditional perceptions of time and space. How do you play with these ideas in your music?

One way I’ve found to look at time is the example of a human’s life.  I believe your lifetime is merely the “how” of what you are.  The various events and decisions you’ve made throughout your life. Your soul however is the eternal thing that has and always will exist.  This is the “what”.  An infinite state of being that we can’t comprehend and thus need a step-by-step playback to understand ourselves.

These types of concepts really help unfold the path to where the lyrics lead.  It is indeed difficult to write in this language and not sound cliche or cheesy, and believe me, my notebook is full of cheese ideas no one will ever see.

Your music often feels like it’s bending the rules of reality. How do you translate the abstract and complex ideas of quantum physics into your soundscapes?

Finding a parallel with the quantum nature of reality and our daily lives is usually a good method.  These are hard concepts to wrap your head around, and the science literature doesn’t do it justice, but once you “see” it the way I do, you will understand.

What’s your creative process like when you’re working on new music? Do you have any unusual rituals?

My life is so busy, I have to take inspiration wherever and whenever it lands.  Usually it’s at a time when I don’t have access to a keyboard or guitar, so I record the idea on my phone and hope I remember the emotional state of where my head was.

Strangely enough, this sometimes comes from day-to-day sounds from life that my brain transforms into musical compositions.  It’s such an odd thing, but I love when it happens. 

During a creative session, meditation is a tool I use to put my head in a clear space to allow ideas to flow, especially lyrics.

Do you ever find yourself lost in thought, pondering the nature of reality while working on a piece? If so, do you ever emerge with new artistic insights or just a headache?

Yes!  This is part of my creative process and it does lead to new ideas about how our universe operates at the quantum level.

I noticed you used violins, cellos, a lot in combination with rock. How important is the emotive element in your singles?

So I actually used to not like emotive songs all that much.  I’d usually skip over them, preferring the heavy, hard-hitting tracks instead.  But in my adult years, orchestral strings have captivated my soul with their ability to capture such deep, emotional states and that’s why I love to use them.  Hoping to one day work with real violinists on a song to give it that extra human element.

Looking ahead, are there any quantum concepts or theories that you’re excited to explore in your future music projects?

Absolutely, I plan to release at least another 8 songs focused on this.  My hope is to help others view this reality, as well as each other, through this lens.

Check out Soul Extract’s latest release “Entanglement” from his EP Chasms below!

Soul Extract, the visionary cinematic rock artist, invites listeners into a vast sonic landscape with the release of the Chasms EP, a journey through intricate emotions, human survival, and the untapped depths of the universe, out now from FiXT.

With singles “Anomaly” and “Supernova” produced by renowned songwriter and multi-instrumentalist Paul Trust, and Brian Skeel’s collaboration on “Innerspace” the Chasms EP fuses orchestral rock, electronic elements, and raw lyrical intensity to explore themes of isolation, survival, and interconnectedness to the very desolate beauty of outer space. 

Opening with “Supernova” the EP delivers a cosmic anthem, telling the story of a human called by a supernova-born entity to leave a dying planet and create new worlds.  “Anomaly” emerges as a thought-provoking mix of heavy guitars, synths, and orchestral elements, telling the story of a lone survivor adrift in space. The single emerges as a mesmerizing blend of cerebral depth and raw beauty within the tumultuous currents of modern rock. “Innerspace” follows with a dramatic shift in perspective, diving into the microscopic world with fellow FiXT labelmate Brian Skeel. This cinematic track captures the awe-inspiring complexity of the quantum world, blending orchestral strings with chugging guitars, and Soul Extract’s dynamic vocals. “Entangled” narrated by the soul itself, delves into quantum mysticism, the song contemplates the idea of quantum entanglement as a metaphor for human connection. Science fiction and cinematic rock collide creating a rich, immersive experience that resonates across space and time.

Cerebral. Beautiful. Violent. Soul Extract taps into a wealth of human emotions and experiences to generate a listening space that is as intense and unpredictable as life itself. The highly personal inspiration for Soul Extract’s creations gives every song an invigorating level of creative clarity, and the artist’s willingness to smash through genre barriers puts him at the forefront of modern music.

Although Soul Extract’s stylistic approach fits within the broad scope of electronic rock, labels can’t begin to describe the exploratory, borderline progressive nature of the songs themselves. Josh Mullis, the architect behind Soul Extract’s elaborate compositions, brings a deconstructive mindset to his craft, tearing apart genres and fusing their most compelling elements back together to build calculated and highly detailed tracks.

This analytical approach to Soul Extract began to take shape in 2013, and after years spent synthesizing the sounds of metal, electronic, and orchestral music, the artist unleashed his fiery debut album, Circadian Algorithm. Loaded wall-to-wall with emotive vocals and explosive instrumental sections, the album has laid the foundation for a developing career with an upward trajectory.

Mullis’ passion for music began at a young age, and he has traditionally pulled from deeply personal events for his creative stimulus. Finding escape from family struggles by picking up a guitar as a teenager, Mullis discovered those early creative efforts were able to carry him through unpredictable times. As an adult, a motivating force for his music rests within humanitarian endeavors, as Mullis donates proceeds from Soul Extract to various charities.

For Mullis, music is an indescribable force capable of sparking intense emotion, and this force is the essence of an artist in its purest form. As the project name suggests, Soul Extract is Josh Mullis’ unaltered expression of himself, and his passionate approach to songwriting shines through on every track he produces.

Q&A – The Anix

By Leasia Korbel

Q: On your most recent release “Shadow.” You said initially, “The track exploits the phenomenon of “Shadow” personality traits- the side of us that rarely gets shown to the world.” Can you give fans an idea of the deeper concept behind “Shadow?”

A: Most of us, if not ALL of us, have a side to us that gets repressed. Maybe its because you feel your boss wont allow it, or your friends will mock you, or your parents wont accept you, or you are embarrassed to be yourself. The unfortunate part of all of this, is that this hidden side to us tends to be the most creative and interesting side. So really the world is being robbed of originality the more we suppress this and conform to social standards.

Q: Can you give us insight into the emotions or experiences you hope listeners will connect with “Shadow?” Do we all need to embrace the dark side?

A: This song, as well as my entire musical career IS my shadow side. Every lyric written, song produced, graphic design element, is the side I tend to suppress from the public. My goal with the song is for the listener to feel heard and seen.

Q: Your latest songs seem to incorporate deep exploration into the human psyche and psychology. Is there a reason behind that?

A: The older I become, the more I become aware of how much life is simply a game. No one knows what they are doing, we are all pretending and acting, and in the end no one makes it out alive. Just do what makes you feel alive now because that chance wont be here for long.

Q: Can you give us a time frame for your next album? Do you have any surprises in store?

A: VOLTAGE should be out in full by the start of Fall this year. It is not entirely finished yet, so maybe there will be some unexpected surprises to close it out.

Q: On a scale from “Shy Shower Singer” to “Rock God on a Dragon,” how pumped are you for this album’s release?

A: Haha, well I am extremely shy and introverted, so I’d go with the shy shower singer for this one.

Q: If your new album was a metaphor for a concept or idea, what would it symbolize, and why? 
(e.g., “Like a phoenix rising from the ashes, the album represents resilience and rebirth.” Or do we need to “Embrace the dark side of the Force”)

A: The album title is VOLTAGE, which represents speed and power in the case of the inspiration behind the album. Faster songs, more sonics, bigger, more electronics, bigger guitars, higher vocals.

Q: In the past, and in several interviews you’ve stated you enjoyed movies like Tron and Bladerunner. (Which honestly is a great fit here at FiXT) Would you say your more recent work continues to embrace that?

A: When those movies came out, the genre was not over saturated. Now you can find 100’s of movies and series on streaming platforms that all look the same, too much CGI, over the top with the Sci-Fi etc, so I just became immune and bored with it. My overarching inspiration, even beyond Bladerunner is Stanley Kubrick’s 2001: A Space Odyssey. The colors, costumes, mood, set design is beyond anything I have ever seen.

Q: Favorite Summer Plans?

A: I hate Summer – can’t wear my favorite clothes.

Q: Pineapple on pizza? Yes or no?

A: Yes with jalapenos!

Q: In a previous interview you said you were “always on the verge of going entirely electronic.” Is that still happening?

A: It is literally always on my mind. I think the next album will very likely be this way.

Q: In the past you’ve stated you prefer working alone, but on a few of your recent singles you’ve worked with Julien-K, most recently “CRAWL” and you have your other project INTRELOCK. What’s different here?

A: I usually like to work alone because I work fast and intense. I do not like the process of making a song, then stopping to send it to someone else, and waiting for their input. It halts and disrupts the creative process for me. Amir from Julien-K understands this when working with me so he is able to get something back to me usually in the same day! That is not his usual style, but for me he bends his own rules and always delivers incredible parts that I would not have, and could not have created on my own. I am interested in more collabs, but it has to be with something that is doing something I can’t do on my own.

Q: I’ve read from previous interviews that music is only a small part of The Anix. What inspires The Anix as a whole concept from music to aesthetics?

A: I have always been very inspired by lifestyle related elements more than music. Architecture, style, sneakers, art and design. There is a huge amount of inspiration from 1960’s American design, such as Charles and Ray Eames, Alexander Girard’s pattern making for Herman Miller, Fender’s Jaguar and Jazzmasters of the 60’s, NASA. In the end, its all art, and art inspires art regardless of what genre you create in.

Q: I am now contractually obligated to ask in every interview: Which would you rather fight: one horse-sized duck or a hundred duck-sized horses? And why?

A: I think I would take the horse-sized duck, in the hopes that its size slows it down from an agility stand point, allowing me to be quicker to make my move.

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